Firing Range: Cone 5-10 (1196-1305°C / 2185-2381°F).

On Different Clay Bodies


White clay, cone 6 oxidation

White Clay, Cone 6 Oxidation

 


Wheat clay, cone 6 oxidation

Wheat Clay, Cone 6 Oxidation


Speckled clay, cone 6 oxidation

Speckled Clay, Cone 6 Oxidation


Red clay, cone 6 oxidation

Red Clay, Cone 6 Oxidation

 


Dark brown clay, cone 6 oxidation

Dark Brown Clay, Cone 6 Oxidation


Black clay, cone 6 oxidation

Black Clay, Cone 6 Oxidation

Tips

Tips for Lily Pad

  • Upon opening, specks will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.
  • Specks can create movement. Avoid having a heavy concentration of specks near the bottom of your piece.


Cone 6 Oxidation

Cone 6 Oxidation

 


Cone 10 Reduction

Cone 10 Reduction


Cone 5 Oxidation

1, 2, 3 Coats, Cone 5 Oxidation


Cone 6 Oxidation

1, 2, 3 Coats, Cone 6 Oxidation


Comparison, Cone 6 oxidation

1, 2, 3 Coats, Cone 10 reduction


Flux test

SW225 Lily Pad over Flux, Cone 6 Oxidation


Flux test

SW225 Lily Pad over Flux, Cone 10 Reduction


Flux test

SW225 Lily Pad under Flux, Cone 6 Oxidation


Flux test

SW225 Lily Pad under Flux, Cone 10 Reduction

Tips

Tips for Pink Pearl

  • Pink Pearl uses SW223 Milk Glass as the base.
  • Upon opening, crystals will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.
  • Crystals can create movement. Avoid having a heavy concentration of crystals near the bottom of your piece.
  • When storing a crystal glaze, you may consider storing upside down to make crystal more accessible.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction


1, 2, 3, Cone 5 oxidation

1, 2, 3 Coats, Cone 5 Oxidation

 


1, 2, 3, Cone 6 oxidation

1, 2, 3 Coats, Cone 6 Oxidation

 


Comparison, Cone 6 oxidation

1, 2, 3 Coats, Cone 10 Reduction

 


Flux test

SW226 Pink Pearl over Flux, Cone 6 Oxidation


Flux test

SW226 Pink Pearl over Flux, Cone 10 Reduction


Flux test

SW226 Pink Pearl under Flux, Cone 6 Oxidation


Flux test

SW226 Pink Pearl under Flux, Cone 10 Reduction

Tips

Tips for Tidal Wave

  • Tidal Wave uses SW223 Milk Glass as the base.
  • Upon opening, crystals will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.
  • Crystals can create movement. Avoid having a heavy concentration of crystals near the bottom of your piece.
  • When storing a crystal glaze, you may consider storing upside down to make crystal more accessible.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction


1,2,3,4 coats, Cone 5 oxidation

1, 2, 3 Coats, Cone 5 Oxidation


1,2,3 coats, Cone 6 oxidation

1, 2, 3 Coats, Cone 6 Oxidation


1,2,3 coats, Cone 10 reduction

1, 2, 3 Coats, Cone 10 Reduction


Flux test

SW227 Tidal Wave over Flux, Cone 6 Oxidation


Flux test

SW227 Tidal Wave over Flux, Cone 10 Reduction


Flux test

SW227 Tidal Wave under Flux, Cone 6 Oxidation


Flux test

SW227 Tidal Wave under Flux, Cone 10 Reduction

Tips

Tips for Beetlewing

  • Three or more coats will produce more mobility.
  • Can be used in oxidation or reduction firings. Results may vary.
  • The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired results. Always test in your kiln, on your clay body.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction


1,2,3 coats, Cone 5 oxidation

1, 2, 3 Coats, Cone 5 Oxidation


1,2,3 coats, Cone 6 oxidation

1, 2, 3 Coats, Cone 6 Oxidation


1,2,3 coats, Cone 10 reduction

1, 2, 3 Coats, Cone 10 Reduction


Flux test

SW228 Beetlewing over Flux, Cone 6 Oxidation


Flux test

SW228 Beetlewing over Flux, Cone 10 Reduction


Flux test

SW228 Beetlewing under Flux, Cone 6 Oxidation


Flux test

SW228 Beetlewing under Flux, Cone 10 Reduction

Tips

Tips for Mood Ring

  • Three or more coats will produce more mobility.
  • Can be used in oxidation or reduction firings. Results may vary.
  • The choice of clay body, thickness of glaze application, firing process and temperature will affect the fired results. Always test in your kiln, on your clay body.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction


1,2,3 coats, Cone 5 oxidation

1, 2, 3 coats, Cone 5 Oxidation


1,2,3 coats, Cone 6 oxidation

1, 2, 3 Coats, Cone 6 Oxidation


1,2,3 coats, Cone 10 reduction

1, 2, 3 Coats, Cone 10 Reduction


Flux test

SW229 Mood Ring over Flux, Cone 6 Oxidation


Flux test

SW229 Mood Ring over Flux, Cone 10 Reduction


Flux test

SW229 Mood Ring under Flux, Cone 6 Oxidation


Flux test

SW229 Mood Ring under Flux, Cone 10 Reduction

Tips

Tips for Pink Speck

  • We recommend firing our matte glazes to cone 6 to produce a satin matte finish.
  • Upon opening, specks will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction


1,2,3 coats, Cone 5 oxidation

1, 2, 3 Coats, Cone 5 Oxidation


1,2,3 coats, Cone 6 oxidation

1, 2, 3 Coats, Cone 6 Oxidation


1,2,3 coats, Cone 10 reduction

1, 2, 3 Coats, Cone 10 Reduction


Flux test

SW230 Pink Speck over Flux, Cone 6 Oxidation


Flux test

SW230 Pink Speck over Flux, Cone 10 Reduction


Flux test

SW230 Pink Speck under Flux, Cone 6 Oxidation


Flux test

SW230 Pink Speck under Flux, Cone 10 Reduction

Tips

Tips for Lilac Speck

  • We recommend firing our matte glazes to cone 6 to produce a satin matte finish.
  • Upon opening, specks will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction


1,2,3 coats, Cone 5 oxidation

1, 2, 3 Coats, Cone 5 Oxidation


1,2,3 coats, Cone 6 oxidation

1, 2, 3 Coats, Cone 6 Oxidation


1,2,3 coats, Cone 10 reduction

1, 2, 3 Coats, Cone 10 Reduction


Flux test

SW231 Lilac Speck over Flux, Cone 6 Oxidation


Flux test

SW231 Lilac Speck over Flux, Cone 10 Reduction


Flux test

SW231 Lilac Speck under Flux, Cone 6 Oxidation


Flux test

SW231 Lilac Speck under Flux, Cone 10 Reduction

Tips

Tips for Baby Blue Speck

  • We recommend firing our matte glazes to cone 6 to produce a satin matte finish.
  • Upon opening, specks will be concentrated in the bottom of the bottle. Stir/shake thoroughly to incorporate before each use.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction


1,2,3 coats, Cone 5 oxidation

1, 2, 3 Coats, Cone 5 Oxidation


1,2,3 coats, Cone 6 oxidation

1, 2, 3 Coats, Cone 6 Oxidation


1,2,3 coats, Cone 10 reduction

1, 2, 3 Coats, Cone 10 Reduction


Flux test

SW232 Baby Blue Speck over Flux, Cone 6 Oxidation


Flux test

SW232 Baby Blue over Flux, Cone 10 Reduction


Flux test

SW232 Baby Blue Speck under Flux, Cone 6 Oxidation


Flux test

SW232 Baby Blue Speck under Flux, Cone 10 Reduction

Tips

Tips for Clear Flux

  • Clear Flux is the most fluid of the Flux products. Take care in applying on vertical surfaces.
  • Mobility will increase along with the number of coats. Avoid application on the bottom third of your vertical ware.
  • Can be used as a stand-alone glaze.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction

Tips

Tips for White Flux

  • Mobility will increase along with the number of coats. Avoid application on the bottom third of your vertical ware.
  • Can be used as a stand-alone glaze.


Cone 6 Oxidation

Cone 6 Oxidation


Cone 10 Reduction

Cone 10 Reduction

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